Modernism for and of the masses? On popular modernisms

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dc.contributor.authorGraham, Stephen
dc.date.accessioned2026-02-25T12:50:03Z
dc.date.available2026-02-25T12:50:03Z
dc.date.issued2018-10-30
dc.description.abstractThough often posed in oppositional terms, modernist and popular music have always shared common ground. This is reflected in a growing body of literature that examines crossover as much as conflict, but mutual entanglement has been the case from the get-go. It is of course important to understand modernism and pop as two fairly distinct forms, but the territory between them has proved fertile. This chapter studies that territory. It provides a critical synthesis of literature on the topic, and looks at a number of concrete musical examples of ‘popular modernism’, a limit case of pop/modernist entanglement.en
dc.description.versionAccepted Version
dc.format.extent19
dc.format.mimetypeapplication/pdfen
dc.identifier.authororcidGraham, Stephen
dc.identifier.citationGraham, S 2018, Modernism for and of the masses? On popular modernisms. Routledge.
dc.identifier.isbn9781472470409
dc.identifier.urihttps://hdl.handle.net/10468/18572
dc.language.isoen
dc.publisherRoutledge
dc.rights© 2018, the Author. All rights reserved. This is an Accepted Manuscript of a book chapter published by Routledge, available online: https://www.taylorfrancis.com/chapters/edit/10.4324/9781315613291-11/modernism-masses-stephen-graham
dc.rights.accessrightsopen access
dc.statusPeer reviewed
dc.subjectModernist music
dc.subjectPopular music
dc.subjectCrossover
dc.subject[CACSSSOffice]
dc.titleModernism for and of the masses? On popular modernismsen
dc.typeBook
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