Funny Frames: The Filmic Concepts of Michael Haneke, by Oliver C. Speck

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dc.contributor.authorAmbrose, Jeremiahen
dc.date.accessioned2012-08-02T15:07:53Z
dc.date.available2012-08-02T15:07:53Z
dc.date.issued2011
dc.description.statusNot peer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationAmbrose, J. (2011) Funny Frames: The Filmic Concepts of Michael Haneke, by Oliver C. Speck. Alphaville: Journal of Film and Screen Media, 2 (Winter 2011). https://doi.org/10.33178/alpha.2.07en
dc.identifier.doi10.33178/alpha.2.07
dc.identifier.endpage87en
dc.identifier.issn2009-4078
dc.identifier.issn2009-4078en
dc.identifier.issued2en
dc.identifier.journalabbrevAlphavilleen
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage76en
dc.identifier.urihttps://hdl.handle.net/10468/685
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.ispartofAlphaville: Journal of Film and Screen Mediaen
dc.rights© 2011, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectDeleuzian film theoryen
dc.subjectMichael Hanekeen
dc.subjectHanekeian cinemaen
dc.subject.lcshHaneke, Michael, 1942---Criticism and interpretationen
dc.titleFunny Frames: The Filmic Concepts of Michael Haneke, by Oliver C. Specken
dc.typeReviewen
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Alphaville: Journal of Film and Screen Media. Issue 02: Space and Time in Film