Access to this article is restricted until 24 months after publication by request of the publisher. Restriction lift date: 2028-04-22
Pop environmentalism: An ecomusicological analysis of Italian singers Elisa, Francesco Gabbani, and Jovanotti
| dc.check.date | 2028-04-22 | en |
| dc.check.info | Access to this article is restricted until 24 months after publication by request of the publisher | en |
| dc.contributor.author | Gambirasio, Luca | en |
| dc.date.accessioned | 2026-05-06T11:48:16Z | |
| dc.date.available | 2026-05-06T11:48:16Z | |
| dc.date.issued | 2026-04-22 | en |
| dc.description.abstract | In recent years, some Italian pop music artists have begun using their art as a platform to raise environmental awareness, with prominent figures leveraging their influence to engage audiences on pressing ecological issues. As climate change and sustainability have taken centre stage globally, Italian musicians like Elisa, Francesco Gabbani, and Jovanotti have responded with projects that blend environmental advocacy with popular entertainment. Through tours, television programmes, and music, these artists have aimed to promote sustainability and raise questions about our relationship with the environment. However, their efforts also reveal the complexities of aligning mass entertainment with ecological ideals, where even well- intentioned actions can lead to unintended environmental impacts. This article examines the nuanced roles these artists play in Italian pop music’s ecological narrative, exploring how their public personas and performances serve to inspire environmental action, highlighting the challenges of achieving truly sustainable entertainment, and questioning its effectiveness. | en |
| dc.description.version | Accepted Version | en |
| dc.format.mimetype | application/pdf | en |
| dc.identifier.citation | Gambirasio, L. (2026) 'Pop environmentalism: An ecomusicological analysis of Italian singers Elisa, Francesco Gabbani, and Jovanotti', Journal of World Popular Music, 12(2), pp. 212–235. https://doi.org/10.1558/jwpm.33029 | en |
| dc.identifier.doi | 10.1558/jwpm.33029 | en |
| dc.identifier.endpage | 235 | en |
| dc.identifier.issn | 2052-4919 | en |
| dc.identifier.issn | 2052-4900 | en |
| dc.identifier.issued | 2 | en |
| dc.identifier.journaltitle | Journal of World Popular Music | en |
| dc.identifier.startpage | 212 | en |
| dc.identifier.uri | https://hdl.handle.net/10468/18724 | |
| dc.identifier.volume | 12 | en |
| dc.language.iso | en | en |
| dc.publisher | Equinox Publishing | en |
| dc.rights | © 2026, Equinox Publishing Ltd. | en |
| dc.subject | Ecomusicology | en |
| dc.subject | Jovanotti | en |
| dc.subject | Francesco Gabbani | en |
| dc.subject | Italian popular music | en |
| dc.subject | Popular music and environmentalism | en |
| dc.subject | Elisa Toffoli | en |
| dc.subject | Music and greenwashing | en |
| dc.subject | Music festivals and sustainability | en |
| dc.subject | Music and neoliberalism | en |
| dc.title | Pop environmentalism: An ecomusicological analysis of Italian singers Elisa, Francesco Gabbani, and Jovanotti | en |
| dc.type | Article (peer-reviewed) | en |
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