• DETECting the “noirification” of European popular narratives across film, fiction and television 

  Pagello, Federico (Film and Screen Media, University College Cork, 2022)

  The article explores the transcultural dimension of European crime narratives by looking at the specific role of cinema in this context. Building on the research conducted by DETECt scholars in different areas of contemporary ...
• Cosmopolitan crimes: Sebastian Schipper’s Victoria (2015) and the distribution of European crime films 

  Schleich, Markus (Film and Screen Media, University College Cork, 2022)

  German crime films usually only find wide international circulation when they deal with either the two World Wars or the country’s unique position during the Cold War. Victoria (Sebastian Schipper, 2015) is an exception. ...
• The Troubles crime thriller and the future of films about Northern Ireland 

  Gallagher, Richard (Film and Screen Media, University College Cork, 2022)

  Troubles-based crime thrillers were once a staple of Hollywood cinema in the 1990s. However, these types of films have become something of a subgenre of European crime films in the last few decades given that films produced ...
• Capturing European crime: European crime cinema at European film festivals 

  Hunter, Russ (Film and Screen Media, University College Cork, 2022)

  As “shop windows” for newly produced but not-yet-released films, the study of festivals is one measure by which it is possible to assess the nature, presence and relative quantity of European crime films made in any given ...
• The distribution and promotion of Dogman (2016) in the United States 

  Garofalo, Damiano (Film and Screen Media, University College Cork, 2022)

  This article will analyse the distribution and promotion strategies of Matteo Garrone’s Dogman (2018) in the United States. It will reconstruct the singularity of this case study in a comparative perspective, considering ...

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