Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine, by Tanya Shilina-Conte

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Date
2025-10-23
Authors
McFarland, James
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Publisher
Film and Screen Media, University College Cork
Published Version
10.33178/alpha.2930.20
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Keywords
Cinema , Deleuze , World cinema , Film philosophy
Citation
McFarland, J. (2025) 'Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine, by Tanya Shilina-Conte', Alphaville: Journal of Film and Screen Media, 29–30, pp. 304–308. https://doi.org/10.33178/alpha.2930.20
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https://hdl.handle.net/10468/18190
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Alphaville: Journal of Film and Screen Media. Issue 29-30: Coming to Latin America: Moving Image Encounters, Non-Latin American Practitioners
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© 2025, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.