Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine, by Tanya Shilina-Conte

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dc.contributor.authorMcFarland, Jamesen
dc.contributor.editorMurphy, Jillen
dc.date.accessioned2025-11-11T13:12:29Z
dc.date.available2025-11-11T13:12:29Z
dc.date.issued2025-10-23en
dc.description.statusNot peer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationMcFarland, J. (2025) 'Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine, by Tanya Shilina-Conte', Alphaville: Journal of Film and Screen Media, 29–30, pp. 304–308. https://doi.org/10.33178/alpha.2930.20en
dc.identifier.doi10.33178/alpha.2930.20en
dc.identifier.endpage308en
dc.identifier.issued29-30
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage304en
dc.identifier.urihttps://hdl.handle.net/10468/18190
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.ispartofAlphaville: Journal of Film and Screen Mediaen
dc.rights© 2025, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.subjectCinemaen
dc.subjectDeleuzeen
dc.subjectWorld cinemaen
dc.subjectFilm philosophyen
dc.titleBlack Screens, White Frames: Gilles Deleuze and the Filmmaking Machine, by Tanya Shilina-Conteen
dc.typeArticle (non peer-reviewed)en
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Alphaville: Journal of Film and Screen Media. Issue 29-30: Coming to Latin America: Moving Image Encounters, Non-Latin American Practitioners