Beyond the tune: new Irish music
dc.check.embargoformat | Embargo not applicable (If you have not submitted an e-thesis or do not want to request an embargo) | en |
dc.check.info | Not applicable | en |
dc.check.opt-out | Not applicable | en |
dc.check.reason | Not applicable | en |
dc.check.type | No Embargo Required | |
dc.contributor.advisor | Godfrey, John | en |
dc.contributor.author | Vallely, Niall | |
dc.date.accessioned | 2018-10-19T10:20:26Z | |
dc.date.available | 2018-10-19T10:20:26Z | |
dc.date.issued | 2018 | |
dc.date.submitted | 2018 | |
dc.description.abstract | The Irish musician is in an interesting position in relation to other post-colonial world cultures. As a colonised nation we have much in common with other colonised or formerly colonised peoples but we are also a first world country firmly ensconced as part of the “Western World”. As an Irish traditional musician first and foremost, I often feel a close affinity, both musically and politically, with other traditional musics from around the world, but I have also had a long relationship with Western Art Music. While I haven’t always felt “at home” socially with classical music, I have ended up composing music which draws to a great extent on my classical music education along with elements of Irish traditional music and other traditional musics. This synthesis of elements is at the crux of the music that I compose and it is this aspect that I intend to explore most in this thesis. I am going to begin with an auto-ethnographic discussion of my background as a musician and the various strands that have come to have importance for me as a composer. This will be followed by a look at the idea of cross-cultural composition and its particular influences on my own work. The final section of the dissertation is a series of commentaries on eight of my compositions, discussing how they relate to this paradigm. | en |
dc.description.status | Not peer reviewed | en |
dc.description.version | Accepted Version | |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | Vallely, N. 2018. Beyond the tune: new Irish music. PhD Thesis, University College Cork. | en |
dc.identifier.endpage | 85 | en |
dc.identifier.uri | https://hdl.handle.net/10468/7021 | |
dc.language.iso | en | en |
dc.publisher | University College Cork | en |
dc.rights | © 2018, Niall Vallely. | en |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/ | en |
dc.subject | Music composition | en |
dc.subject | Irish traditional music | en |
dc.subject | Cross-cultural music | en |
dc.thesis.opt-out | false | |
dc.title | Beyond the tune: new Irish music | en |
dc.type | Doctoral thesis | en |
dc.type.qualificationlevel | Doctoral | en |
dc.type.qualificationname | PhD | en |
ucc.workflow.supervisor | j.godfrey@ucc.ie |
Files
Original bundle
1 - 5 of 11
Loading...
- Name:
- VallelyN_PhDAbstract2018.pdf
- Size:
- 45.16 KB
- Format:
- Adobe Portable Document Format
- Description:
- Abstract
Loading...
- Name:
- VallelyN_PhD2018.pdf
- Size:
- 5.3 MB
- Format:
- Adobe Portable Document Format
- Description:
- Full Text E-thesis
Loading...
- Name:
- The Red Tree.pdf
- Size:
- 1.09 MB
- Format:
- Adobe Portable Document Format
- Description:
- Score 1 - The Red Tree
Loading...
- Name:
- sondas.pdf
- Size:
- 523.88 KB
- Format:
- Adobe Portable Document Format
- Description:
- Score 2 - Sonas
Loading...
- Name:
- O Riada Room.pdf
- Size:
- 532.67 KB
- Format:
- Adobe Portable Document Format
- Description:
- Score 3 - O Riada Room
License bundle
1 - 1 of 1
Loading...
- Name:
- license.txt
- Size:
- 5.62 KB
- Format:
- Item-specific license agreed upon to submission
- Description: