Silent (un)becoming song: Poetic adventures in history, memory and identity in Papusza and Song of Granite

dc.contributor.authorBuslowska, Elzbieta
dc.contributor.editorYoung, Gwendaen
dc.date.accessioned2021-08-04T09:17:36Z
dc.date.available2021-08-04T09:17:36Z
dc.date.issued2021
dc.description.abstractSong of Granite (Pat Collins, 2017) and Papusza (Joanna Kos-Krauze and Krzysztof Krauze, 2013) could be described as unconventional film ‘biographies’ (of the Irish folk singer Joe Heaney and Polish-Roma poet Bronislawa Wajs). In these films, poetry and philosophy come together in what I call the silent (un)becoming undoing the stabilities of (hi)story, identity, and memory. Crossing different aesthetic and geographical territories between fiction and documentary, they speak through the power of a song/poetry, telling a story of fragmentary encounters where histories are invented in the gaps of memories (personal and cultural) and identities disappear in other (be)longings. Drawing on Gilles Deleuze and Felix Guattari’s concept of the refrain as both the question of the native (home) and the “other” (the unknown homeland), and Maurice Blanchot’s notion of a disaster, the article will attempt to think with the films’ poetic “remembering” that is not narrated through the linearity of a story-telling but sounds silently in the vastness and motionlessness of the landscape, the creative treatment of the archive footage, materiality that remembers past from the outside of remembering and in the emotion of the song repeated in the black and white poetic expression of the refrain. The films’ cinematic force of (un)becoming will be considered as a question of the disastrous longing (for silence) which cannot be known or named but which sends life and thinking towards other memories-potentialities.en
dc.description.statusPeer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationBuslowska, E. (2021) 'Silent (un)becoming song: Poetic adventures in history, memory and identity in Papusza and Song of Granite', Alphaville: Journal of Film and Screen Media, 21, pp. 55-71. https://doi.org/10.33178/alpha.21.03en
dc.identifier.doihttps://doi.org/10.33178/alpha.21.03
dc.identifier.endpage71
dc.identifier.issn2009-4078
dc.identifier.issued21
dc.identifier.journalabbrevAlphavilleen
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage55
dc.identifier.urihttps://hdl.handle.net/10468/11657
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.urihttp://www.alphavillejournal.com/Issue21/HTML/ArticleBuslowska.html
dc.rights© 2021, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectBlanchoten
dc.subjectDeleuze and Guattarien
dc.subjectMemoryen
dc.subjectHistoryen
dc.subjectIdentityen
dc.titleSilent (un)becoming song: Poetic adventures in history, memory and identity in Papusza and Song of Graniteen
dc.typeArticle (peer-reviewed)en
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