Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores, by Peter Franklin

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dc.contributor.authorWisniewski, Kevin A.en
dc.contributor.editorMurphy, Jillen
dc.date.accessioned2014-03-10T15:21:23Z
dc.date.available2014-03-10T15:21:23Z
dc.date.issued2012
dc.description.statusNot peer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationWisniewski, K. A. (2012) Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores, by Peter Franklin. Alphaville: Journal of Film and Screen Media, 3 (Summer 2012). https://doi.org/10.33178/alpha.3.11en
dc.identifier.doihttps://doi.org/10.33178/alpha.3.11
dc.identifier.endpage116en
dc.identifier.issn2009-4078en
dc.identifier.issued3en
dc.identifier.journalabbrevAlphaville
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage111en
dc.identifier.urihttps://hdl.handle.net/10468/1442
dc.publisherFilm and Screen Media, University College Corken
dc.relation.urihttp://www.alphavillejournal.com/Issue%203/HTML/ReviewWisniewski.htmlen
dc.rights© 2012, the Author(s)en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/ie/en
dc.subjectFilm scoresen
dc.subjectFilm music as artistic formsen
dc.subjectClassic hollywood filmsen
dc.titleSeeing Through Music: Gender and Modernism in Classic Hollywood Film Scores, by Peter Franklinen
dc.typeReviewen
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Alphaville: Journal of Film and Screen Media. Issue 03: Sound, Voice, Music