Cinema and its intermedial passages to reality: The case of the Árido Movie

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dc.contributor.authorPaiva, Samuel
dc.contributor.editorCourage, Tamaraen
dc.contributor.editorElduque, Alberten
dc.date.accessioned2020-07-24T08:34:48Z
dc.date.available2020-07-24T08:34:48Z
dc.date.issued2020
dc.description.abstractThis article examines the development process of the documentary film Passages: Travelling in and out of Film through Brazilian Geography (Lúcia Nagib and Samuel Paiva, 2019) that emerged from a research project on intermediality and cinema. Passages uses an intermedial perspective to approach films which have been produced in Recife and São Paulo since the beginning of the Retomada do Cinema Brasileiro (Brazilian Film Revival) in the mid-1990s, and analyses their connections with other media. Particular focus is given to works created in Recife within the Árido Movie movement, such as Baile perfumado (Perfumed Ball, Paulo Caldas and Lírio Ferreira, 1996), which unveils a whole set of intermedial connections between cinema and music.en
dc.description.statusPeer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationPaiva, S. (2020) 'Cinema and its intermedial passages to reality: The case of the Árido Movie', Alphaville: Journal of Film and Screen Media, 19, pp. 81-100. https://doi.org/10.33178/alpha.19.07en
dc.identifier.doihttps://doi.org/10.33178/alpha.19.07
dc.identifier.endpage100
dc.identifier.issn2009-4078
dc.identifier.issued19
dc.identifier.journalabbrevAlphavilleen
dc.identifier.journaltitleAlphaville: Journal of Film and Screen Mediaen
dc.identifier.startpage81
dc.identifier.urihttps://hdl.handle.net/10468/10296
dc.language.isoenen
dc.publisherFilm and Screen Media, University College Corken
dc.relation.urihttp://www.alphavillejournal.com/Issue19/ArticlePaiva.pdf
dc.rights© 2020, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectIntermedialityen
dc.subjectO invasoren
dc.subjectBeto Branten
dc.subjectRealismen
dc.subjectCollision realismen
dc.titleCinema and its intermedial passages to reality: The case of the Árido Movieen
dc.typeArticle (peer-reviewed)en
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Alphaville: Journal of Film and Screen Media. Issue 19: Performing the Intermedial across Brazilian Cinema