Cinema and its intermedial passages to reality: The case of the Árido Movie
dc.contributor.author | Paiva, Samuel | |
dc.contributor.editor | Courage, Tamara | en |
dc.contributor.editor | Elduque, Albert | en |
dc.date.accessioned | 2020-07-24T08:34:48Z | |
dc.date.available | 2020-07-24T08:34:48Z | |
dc.date.issued | 2020 | |
dc.description.abstract | This article examines the development process of the documentary film Passages: Travelling in and out of Film through Brazilian Geography (Lúcia Nagib and Samuel Paiva, 2019) that emerged from a research project on intermediality and cinema. Passages uses an intermedial perspective to approach films which have been produced in Recife and São Paulo since the beginning of the Retomada do Cinema Brasileiro (Brazilian Film Revival) in the mid-1990s, and analyses their connections with other media. Particular focus is given to works created in Recife within the Árido Movie movement, such as Baile perfumado (Perfumed Ball, Paulo Caldas and Lírio Ferreira, 1996), which unveils a whole set of intermedial connections between cinema and music. | en |
dc.description.status | Peer reviewed | en |
dc.description.version | Published Version | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | Paiva, S. (2020) 'Cinema and its intermedial passages to reality: The case of the Árido Movie', Alphaville: Journal of Film and Screen Media, 19, pp. 81-100. https://doi.org/10.33178/alpha.19.07 | en |
dc.identifier.doi | https://doi.org/10.33178/alpha.19.07 | |
dc.identifier.endpage | 100 | |
dc.identifier.issn | 2009-4078 | |
dc.identifier.issued | 19 | |
dc.identifier.journalabbrev | Alphaville | en |
dc.identifier.journaltitle | Alphaville: Journal of Film and Screen Media | en |
dc.identifier.startpage | 81 | |
dc.identifier.uri | https://hdl.handle.net/10468/10296 | |
dc.language.iso | en | en |
dc.publisher | Film and Screen Media, University College Cork | en |
dc.relation.uri | http://www.alphavillejournal.com/Issue19/ArticlePaiva.pdf | |
dc.rights | © 2020, the Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. | en |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.subject | Intermediality | en |
dc.subject | O invasor | en |
dc.subject | Beto Brant | en |
dc.subject | Realism | en |
dc.subject | Collision realism | en |
dc.title | Cinema and its intermedial passages to reality: The case of the Árido Movie | en |
dc.type | Article (peer-reviewed) | en |
Files
Original bundle
1 - 1 of 1
Loading...
- Name:
- ArticlePaiva.pdf
- Size:
- 810.04 KB
- Format:
- Adobe Portable Document Format
- Description:
- Published Version