Loa & behold: voice ghosts in the new technoculture
dc.contributor.author | Gilson, Jools | |
dc.date.accessioned | 2020-07-28T16:06:47Z | |
dc.date.available | 2020-07-28T16:06:47Z | |
dc.date.issued | 2001 | |
dc.date.updated | 2020-07-16T10:48:09Z | |
dc.description | Collected in: Jools Gilson-Ellis (2002) 'Loa & Behold: Voice Ghosts in the New Technoculture' In: Colin Beardon & Lone Malmborg (eds). Digital Creativity: A Reader. Oxford & New York: Taylor & Francis, pp. 229 - 240. isbn: 9780415579681 | |
dc.description.abstract | This article suggests that the use of femininity and voice in digital art practice has a powerful potential to conjure provocative spaces in the new technoculture. Using a range of theoretical writers including Margaret Morse, Nell Tenhaaf, Simon Penny, Brenda Laurel and Sue-Ellen Case, the article traces contemporary thought on femininity, technology and voice. Gilson-Ellis uses her own choreographic / poetic practice as examples in these discussions. Through an adaptation of Sue-Ellen Case's proposal of the voudou vever and the loa, the article suggests that the voice in relation to writing and new technologies has a radical potential to open up alternative kinds of spaces in digital art practice. | en |
dc.description.status | Peer reviewed | en |
dc.description.version | Accepted Version | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.citation | Gilson-Ellis, J. (2001) 'Loa and behold: voice ghosts in the new technoculture', Digital Creativity, 12(2), pp. 77-88. doi: 10.1076/digc.12.2.77.6860 | en |
dc.identifier.endpage | 88 | en |
dc.identifier.isbn | 0415579686 | |
dc.identifier.isbn | 9780415579681 | |
dc.identifier.issn | 1462-6268 | |
dc.identifier.startpage | 77 | en |
dc.identifier.uri | https://hdl.handle.net/10468/10321 | |
dc.language.iso | en | en |
dc.publisher | Taylor and Francis | en |
dc.relation.ispartof | Digital Creativity: A Reader. | |
dc.relation.uri | https://www.routledge.com/Digital-Creativity-a-Reader/Beardon-Malmborg/p/book/9780415579681 | |
dc.relation.uri | http://www.tandfonline.com/10.1076/digc.12.2.77.6860 | |
dc.rights | © 2001 Taylor & Francis. This is an Accepted Manuscript of an article published by Taylor & Francis in Digital Creativity, available online: http://www.tandfonline.com/10.1076/digc.12.2.77.6860 | en |
dc.subject | Jools Gilson | en |
dc.subject | Jools Gilson-Ellis | en |
dc.subject | Richard Povall | en |
dc.subject | half/angel | en |
dc.subject | The Secret Project | en |
dc.subject | Spinstren | en |
dc.subject | Mouthpiece | en |
dc.subject | Dance | en |
dc.subject | Choreography | en |
dc.subject | New technology | en |
dc.title | Loa & behold: voice ghosts in the new technoculture | en |
dc.type | Book chapter | en |
dc.type | Article (peer-reviewed) | en |
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