Sartre on Flaubert: philosophy becoming literature

dc.check.date10000-01-01
dc.check.embargoformatBoth hard copy thesis and e-thesisen
dc.check.entireThesisEntire Thesis Restricted
dc.check.infoIndefiniteen
dc.check.opt-outNot applicableen
dc.check.reasonThis thesis is due for publication or the author is actively seeking to publish this materialen
dc.contributor.advisorJansen, Julia (KU Leuven)en
dc.contributor.advisorRyan, Angelaen
dc.contributor.authorEdwards, Mary Louise
dc.date.accessioned2017-11-17T11:57:21Z
dc.date.issued2017
dc.date.submitted2017
dc.description.abstractThis thesis aims to illuminate the philosophical importance of Jean-Paul Sartre’s final major work, L’Idiot de la famille (The Family Idiot), by arguing that it is not only a biographical study of the literary author Gustave Flaubert, but also the culmination of Sartre’s defence of philosophical realism. It proceeds by first establishing the defence of a realist position as one of Sartre’s most important philosophical agendas. Then, it explains how Sartre’s realism may be characterized as the view that all reality is human reality and, therefore, knowable. Next, it highlights how, after having already demonstrated that material things and Others (i.e. other conscious subjects) exist independently of consciousness in L’Être et le néant (Being and Nothingness), and that it is possible for consciousness to grasp the essence of material things in the Critique de la raison dialectique (Critique of Dialectical Reason), what remains for Sartre – by the time he comes to write L’Idiot de la famille – is to show that it is possible to comprehend the essence of an Other by means of a concrete example. The final parts of this investigation explore why Sartre employs literary techniques to grasp and communicate the ‘essence' of Flaubert, throughout L’Idiot de la famille. Although the fact that Sartre was unable to complete L’Idiot de la famille makes it difficult to assess its success in any definitive way, this thesis exposes it as Sartre’s rigorous attempt to show that the essence of an Other is not necessarily beyond the limits of human knowledge. And this, in my view, means that it possesses a philosophical significance that is so far under-appreciated by scholars.en
dc.description.statusNot peer revieweden
dc.description.versionAccepted Version
dc.format.mimetypeapplication/pdfen
dc.identifier.citationEdwards, M. L. 2017. Sartre on Flaubert: philosophy becoming literature. PhD Thesis, University College Cork.en
dc.identifier.endpage369en
dc.identifier.urihttps://hdl.handle.net/10468/5061
dc.language.isoenen
dc.publisherUniversity College Corken
dc.rights© 2017, Mary Louise Edwards.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/en
dc.subjectPhenomenologyen
dc.subjectSartreen
dc.subjectFlauberten
dc.subjectExistentialismen
dc.subjectRealismen
dc.subject20th Century French Philosophyen
dc.thesis.opt-outfalse
dc.titleSartre on Flaubert: philosophy becoming literatureen
dc.typeDoctoral thesisen
dc.type.qualificationlevelDoctoralen
dc.type.qualificationnamePhD (Arts)en
ucc.workflow.supervisorjulia.jansen@kuleuven.be
Files
License bundle
Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
license.txt
Size:
5.62 KB
Format:
Item-specific license agreed upon to submission
Description: