Ní Shíocháin, Tríona (2018). Singing Ideas: Performance, Politics and Oral Poetry. New York and Oxford: Berghahn

dc.contributor.authorPiazzoli, Erika
dc.contributor.editorSchewe, Manfreden
dc.contributor.editorEven, Susanneen
dc.date.accessioned2022-03-01T11:28:27Z
dc.date.available2022-03-01T11:28:27Z
dc.date.issued2018
dc.description.abstractSinging Ideas: Performance, Politics and Oral Poetry is a fascinating insight into the Irish tradition of singing and its potency to fuel political thought and identity, in the context of eighteenth-century Ireland. To that purpose, Tríona Ní Shíocháin takes us through an informed analysis of the lived-experience of one historical figure, the magnetic Máire Bhuí Ní Laeire (Yellow Mary O’Leary). One of the greatest Irish song poets of her time, Máire Bhuí Ní Laeire was born in 1774 and died during the Great Irish Famine in 1848. She is depicted as a charismatic woman who composed and sang anti-colonial ideas, mocking nobility and denouncing social exploitation in Ireland. During her life, her craft gained her the reputation of a prophetic figure, a truth-teller or parrhesiast – a Greek notion that, as Foucault (2011) holds, refers to those with the courage to address urgent political issues, in public, even if running the risk of putting their lives in danger. Parrhesia, Foucault argues, can set social and historical change in motion – and that is precisely what seems to have happened through Máire Bhuí Ní Laeire’s subversive singing. Through the unique lens of this fascinating character, Ní Shíocháin is able to paint ...en
dc.description.statusNot peer revieweden
dc.description.versionPublished Versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.citationPiazzoli, E. (2018) 'Ní Shíocháin, Tríona (2018). Singing Ideas: Performance, Politics and Oral Poetry. New York and Oxford: Berghahn', Scenario: A Journal of Performative Teaching, Learning, Research, XII(1), pp. 96-98. https://doi.org/10.33178/scenario.12.1.8en
dc.identifier.doi10.33178/scenario.12.1.8
dc.identifier.endpage98
dc.identifier.issn1649-8526
dc.identifier.issued1
dc.identifier.journalabbrevScenarioen
dc.identifier.journaltitleScenario: A Journal of Performative Teaching, Learning, Researchen
dc.identifier.startpage96
dc.identifier.urihttps://hdl.handle.net/10468/12649
dc.identifier.volumeXII
dc.language.isoenen
dc.publisherDepartment of German, University College Corken
dc.relation.urihttps://journals.ucc.ie/index.php/scenario/article/view/scenario-12-1-8
dc.rights© 2018, The Author(s). This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.titleNí Shíocháin, Tríona (2018). Singing Ideas: Performance, Politics and Oral Poetry. New York and Oxford: Berghahnen
dc.typeReviewen
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