• Chicano identity and discourses of supplementarity on Mexican cinema: from ‘The Man Without a Fatherland’ (Contreras Torres: 1922) to ‘Under the Same Moon’ (Riggen: 2008) 

  de la Garza, Armida (Latin American Centre, University of Aarhus (LACUA), 2009-01-01)

  A radical change took place in Mexican narratives of belonging during the 1990s, when NAFTA was first negotiated. Narratives of migration drastically changed the status of Mexican migrants to the US, formerly derided as ...
• Negotiating national identity on film: competing readings of Zhang Yimou’s 'Hero' 

  de la Garza, Armida (Taylor & Francis, 2007)

  How are national identities transformed? If they are mostly narratives of belonging to a community of history and destiny to which people subscribe, those boundary-making procedures that constitute the political field by ...
• Film policy under globalization: the case of Mexico 

  de la Garza, Armida (Taylor and Francis, 2016-10-17)

  The changing economic and technological conditions often referred to as ‘globalization’ have had a deep impact on the very nature of the state, and thus on the aims, objectives and implementation of cultural policy, including ...
• Remembering John Huston, transnational filmmaker 

  de la Garza, Armida; Gil Curiel, Germán (Routledge, Taylor & Francis Group, 2014-02-20)
• Diversity, difference and nation: indigenous peoples on screen in Mexico 

  de la Garza, Armida (Routledge, Taylor & Francis Group, 2010-11)

  This paper draws on constructivist theories of identity that regard the self as, paradoxically, coming into existence through interaction with the other, to investigate the discursive formation of indigenous people in the ...

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